A black magic baby outdy com that is believed to bring luck to its owner and also harm if not properly cared for
Six people bound together by a traumatic experience decide to round off a year of group therapy in style. They join each other once more, traveling up to the Scottish Lowlands for a reunion weekend in a 1970s holiday let. Soon a number of mysterious and horrifying events start to expose the cracks in their relationships, and one by one they discover that trust runs but skin-dee...
民国年间，与世隔绝的怪水村被湖中“水猴子”所扰。此物实为濒危水栖人猿，能模仿人言诱杀村民。少年水生幼年目睹父亲惨死其手，自此深陷恐惧。村中长老三叔公借祭祀之名行愚昧统治，以活人献祭暂息水怪，却埋下更深祸根。连年暴雨与人为侵扰激怒水猴子，袭击频发。当香兰之弟被食、其父莫叔反抗被杀，香兰决意以身献祭复仇。水生幡然觉醒，不再逃避，联合青年村民布设机关陷阱，假借献祭诱敌。恶战后水怪被擒，却于庆功夜破笼而出，血洗村庄，三叔公亦命丧其口。村民终于醒悟：迷信退让换不来平安。水生断发持叉，率众设伏，以智慧与血勇将水怪斩杀。晨光中，他与香兰相扶而立，唯有直面恐惧、团结抗争，方能驱散千年阴霾，重获新生。
Seven years later, Damien Thorn is about to turn 13 and is just discovering who he really is, and what he is destined to do. Now living with his Aunt, Uncle, and cousin in a wealthy suburb of Chicago, Damien is in line to inherit everything from his family. Can Richard Thorn finish the job that Damien's father (Ambassador Robert Thorn) started?
A call to a quiet suburban home unleashes unthinkable carnage when two officers mistakenly shoot a man and his infant child, spiraling the tragedy into a fierce, unrelenting fall into the unknown.
在试图埋葬过去多年之后，萨姆被迫回到了她空荡荡的童年故居，因为她得知了哥哥马修神秘死亡的消息。萨姆与她体贴的丈夫布雷迪、关系疏远的兄弟诺兰以及他们的同父异母妹妹梅洛迪重聚。每个人都带着自己的包袱，来到了这座充满痛苦回忆的房子里。随着他们开始揭开真相，深埋已久的紧张关系再次浮现，过去证明是无法逃避的。但在那座偏远住宅的阴影中，还有别的东西在潜伏……一种他们无法解释的存在。奇怪的事件模糊了现实与偏执之间的界限。
When, at the beginning of Deus Irae, Father Javier stares at a crucifix, his expressions and his hands suggest that the nerves are consuming him. A flashback reveals that this priest devotes his life to visiting families that claim to have seen things that do not belong to this world and cleansing their homes from the demons that try to possess them. But, upon returning to those houses, he notices that the evidence is always destroyed. This way, he discovers that a clan is after him, and must decide whether to hide from them or join them. In times when horror cinema tends to fall into the hands of directors that seek to build narratives that are introspective and close to reality, Pedro Cristiani goes back to old-school horror, where gore and the physical experience are above any other kind of feeling. A cinema that places the camera in front of the faces of the bloodiest demons and, instead of giving logic to them, chooses to face them whatever the cost.
