119
3.0

湖边的少女

导演:
Andrea Molaioli
主演:
Toni Servillo,Omero Antonutti,Marco Baliani
别名:
未知
3.0
119人评分
意大利语
语言
未知
上映时间
未知
片长
简介:

安娜(阿莱西亚·皮奥凡 Alessia Piovan 饰)的死让整个小镇陷入了恐慌之中,负责此案的治安官圣奇奥(托尼·瑟维洛 Toni Servillo 饰)来到了镇上,决心要靠自己的努力查明真相。   随着调查的深入,案情越发的扑朔迷离起来,疯子马里奥(Franco Ravera 饰)、安娜的男友罗伯特(Denis Fasolo 饰)、邻居卡娜莉(Fabrizio Gifuni 饰),甚至是安娜的父亲大卫(马可·贝里亚尼 Marco Baliani 饰)都成为过圣奇奥脑海中的嫌疑人,可是,凶手究竟是谁?没有确凿证据的圣奇奥无法定夺。渐渐的,整个小镇都被卷入到了安娜的死亡事件中去,越来越多的秘密浮出了水面。在警员西波地(Fausto Maria Sciarappa 饰)的协助下,圣奇奥能够找到最终的真相吗?

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简介:Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.  Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.  Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.  No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.  A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.  Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.  In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.
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