米歇尔·沃尔夫：玩笑秀

曾经小有名气的画家拉斯·奥拉芬（Thure Lindhardt 饰）来到一处不知名小镇的艺术学校任教，似乎有意逃避曾经的风光，又似乎等待缪斯女神的再此眷顾。当地冷漠、突兀的人情让他一度无所适从，但是那个身材高大、沉默寡言同时有着较高艺术天赋的学生艾迪（Dylan Smith 饰）让拉斯些许找到了认同感。在校长的拜托下，拉斯同意接艾迪过来和自己居住。谁知当晚，拉斯目睹艾迪梦游出屋，生吃了小兔子。原来学校早已知情，为了留住艾迪背后的赞助源而隐瞒他的病情。与此同时，艾迪的乖张举止似乎激发了拉斯久违的创作灵感。 　　有人被吃没什么了不起，只要你能打扫干净……

在东北这片充满活力和挑战的土地上，有一对冤家父子，儿子陆甲全因为和陆天一父子经营理念不同而离家出走。为了证明自己，当上洗浴中心经理的儿子急于求成，最终作茧自缚。在父亲的帮助下，陆甲全解决了问题，二人和解。

三十岁的陈涛（詹鑫 饰）失业回家打算躺平，却意外闯入了去世多年的父亲（杨皓宇 饰）留给他的一本地摊儿文学作品中，本想薅住命运稻草的他，在荒诞不经的章节里跌跌撞撞，与那个他从未真正认识的父亲反复重逢……

Two women are on the run from the state police, with an abducted man on the back seat of their car.

Bobby Taylor wants to be a respected actor. From Sam Spade to Shakespeare to superheros, he can do it all. He just has to convince Hollywood that gangstas, slaves and “Eddie Murphy-types” aren’t the sum of his talents.

杨洋继《蝶儿》之后与原班人马再度合作，表示自己第一次饰演像美女总裁赵瑶这样女强人的角色，对自己而言是一次不一样的体验。《羊入壶口》讲述的是凑钱买房付首付的老九（何江饰）和发小果国（索牧饰）在路边撸串喝酒的时候，打抱不平救了了ktv的磕巴小姐娜娜（万斯佳饰），三人宿醉在娜娜家醒来，攒了一个能赚钱的局儿，果国想到一个有钱的妻管严老板陈鸿，见到自己的老婆阿布（杨洋饰）就特别怵，于是三个人想去碰瓷。娜娜负责把陈鸿勾引回家，果国和老九负责拍照，以此来勒索陈鸿，谁知，碰上的不是陈鸿，而是陈鸿的死对头肖云飞，碰巧那天肖云飞把陈鸿的车开出来抵债，于是三个屌丝被肖云飞利用.......一路上发生了各种荒诞、搞笑的囧事。

马克思（Tim Haars 饰）和朱尔斯（Dani?l Arends 饰）虽然没有血缘关系，但从小在同一屋檐下长大，彼此之间情同手足感情十分要好。饱受感情折磨的父亲从小就教育他们，女人不可信，永远不要陷入爱情之中，这样的念头在兄弟两人脑中根深蒂固，长大之后，他们都成为了没有定数，玩世不恭的花花公子。 　　然而，某日，一位名叫安娜（西尔维娅·侯克斯 Sylvia Hoeks 饰）的美丽女子出现在了马克思和朱尔斯的身边，这位特别的女子让发誓一辈子都不正式恋爱的兄弟两人坠入了情网，朱尔斯甚至想和安娜住到一起去，这让马克思的心里很不是滋味，兄弟两人之间的友谊产生了裂痕。

　　At Christine's funeral, her foster son suddenly shows up, a grown-up man with whom the family has been out of contact for quite some time. He brought a letter, stating that Christine wants to be buried in Wentelen, to the bewilderment of her biological children, and even more so to that of her husband. In addition to that, all the relatives are surprised that the foster son of Christine apparently maintained a correspondence with Christine. Nevertheless, Christine's last wish is respected, and they decided to bury her in Wentelen, and wish to do so traditionally, meaning: walking behind the hearse. During a walk of several days, all the relatives (foster sisters, foster father, alleged friends and real ones, the foster son, lovers) have enough time to get to know each other better. Because in the end they have no other conclusion than that nobody really knew anyone. Old intrigues are dug up, the foster sisters finally learn why the foster brother just disappeared from the family, and they can begin to develop a real image of the mother. Once Christine's final resting place is reached and she is buried, all family ties, good and bad, are shaken around.