野芦苇

简介：

神秘的湘西、天葬岩，匪首覃贵青拉着妻子田阿莓逃到这里就如蒸发般突然消失了，是死是活给世人留下一个难解之谜。覃贵青又称湘西青魔头，杀人如麻，嗜血成性，他把漂亮善良的田阿莓抢来为妻。解放军进山剿匪，他俩沦为一对疲惫挣扎的亡命鸳鸯。 　　十五年后，这对魔头夫妻又神出鬼没于田间地头、房前屋后。他们还活着！ 　　逃亡中，覃贵青亲手杀死了他与阿莓所生的四个孩子，而此时阿莓又有了身孕。阿莓求覃贵青留下这个孩子，满足她当娘的愿望。覃贵青依靠羊皮上的藏宝图找到了过去藏在山洞的一批枪支弹药，妄图再度称王祸害四方，他频频下山骚扰百姓，杀伤无辜。而阿莓早已不堪忍受饥寒交迫、心惊胆颤的逃亡生活，一次次悄悄下山偷望母亲和妹妹阿莲一家，看到他们幸福安宁的生活，阿莓流露出对亲情的渴望。 　　得知匪首现行的消息，县武装部部长李云田受命率军民展开大搜捕。阿莓的妹妹阿莲也在声声呼唤姐姐的归来。在妹妹...

简介：一群体重过人的小胖墩被父母逼着，为减肥来到了夏令营。　　路上，两个偷窃了国家生物基地克隆晰蜴的罪犯阿乌、阿元躲到了夏令营的车上，一不留神把装晰蜴的包和胖墩装肉松的包混在一起。无奈之下阿乌、阿元以厨师身份混入夏令营，想偷回晰蜴。　　胖墩们在锻炼之余，发现了晰蜴，爱如珍宝。他们发现阿乌、阿元的企图之后，展开了一场斗智斗勇的斗争，将两个坏蛋整得苦不堪言，最终被公安人员抓获……

简介：故事的灵感来源于真实事件，10岁的小女孩亚拉与外祖母和妈妈生活在一起。外祖母去世 后，不负责任的妈妈露西娅也离家出走，留下亚拉独自生活。一个偶然的机会，她带回两个 婴儿，和她的玩伴克里斯蒂安，开始照顾起这两个小生命。他们能照顾好这两个小婴儿吗？这场孩童间天真的游戏又将 走向何方？该片采用儿童视角生动展现了小主人公内心的孤独，清新、质朴，摄影出色。荣获第67届柏林国际电影节新生代单元水晶熊奖。

简介：《腊月》是一部反映农村现实生活的半记录式影片，主要讲述了鲁西南农村在农历十二月份（腊月）发生的一些事情。该片取材于农村，讲述了彩礼已从原来的“习俗”渐渐演变为当今“陋习”。高额彩礼下人们扭曲的价值观、世界观，攀比心、虚荣心等。无数家庭饱受“高额彩礼”的困扰，俨然成为一种不可忽视的社会现象。

简介：约翰（凯文史密斯）和裘蒂（安琪拉杜菁）两人合作经营一家侦探社，当他们接受新寡的性感美女拉娜（珍妮佛鲁宾）委托调查她先生的死因时，并不知道这将是他们开业以来最大的挑战。 虽然警方研判拉娜的老公是自杀身亡，但拉娜却怀疑是谋杀，令这两位侦探不知道底该相信谁才好；另一方面，约翰对这位神秘的俏寡妇一见锺情，因而影响到案情的调查，没想到此时裘蒂却遭人下药、绑架，这一连串意外的发展到底谁是幕后黑手呢？

简介：大学生黄骅选择到山村小学担任教师完成社会实践，但在此过程中黄 骅感受到了贫困家庭的孩子上学的困难以及他们对于知识的渴望，责任感 和使命感驱使着黄骅坚持了一天又一天，他和山里艰苦的条件作斗争、和 不愿让孩子上学的家长作斗争、甚至和自己累坏的身体作斗争，只为了孩 子们能多学一点，能有机会看看外面的世界，这一坚持，就坚持到了黄骅 年轻生命的最后一天。

简介：

简介：以陈国庆70年的经历为背景，以改革开放后创业经历为主线，讲述了随新中国成长的那一代企业家和时代交融变迁的故事。主人公经历了新中国成立，知青下乡，国营计划经济，改革开放，下岗潮，创业潮，转型升级以及品质商城的建立。陈国庆的企业家精神就是知青下乡时从农民身上学来的不怕吃苦和艰苦奋斗。而后又从国营厂里面开始学习各种专业技能，为以后的创业打下了扎实的基础，之后又下海创业再到后来转型升级，最终研发出了自己的专利。故事借助陈国庆这个人物，在反映当代企业家精神面貌的同时，也反映了新中国70年的历史变迁。故事也集中反映了我们中国这一代企业家独具特色的企业家精神由来，发展和变化，表达了独具中国特色的的工匠精神。

简介：小咪跟随奶奶来到香港投靠亲戚，随后流落到了花天酒地成为一名妓，在接客中遇到了贩毒集团的老大。老大将她们一众女人压作人质妄想逃脱警方的逮捕。最后小咪被歹徒连砍两刀，在临死前将贩毒老大杀死，瓦解了该集团。

简介：Salomé (1923), a silent film directed by Charles Bryant and starring Alla Nazimova, is a film adaptation of the Oscar Wilde play of the same name. The play itself is a loose retelling of the biblical story of King Herod and his execution of John the Baptist (here, as in Wilde's play, called Jokaanan) at the request of his stepdaughter, Salomé, whom he lusts after.　　Salomé is often called one of the first art films to be made in the U.S.[citation needed] The highly stylized costumes, exaggerated acting (even for the period), minimal sets, and absence of all but the most necessary props make for a screen image much more focused on atmosphere and on conveying a sense of the characters' individual heightened desires than on conventional plot development.　　Despite the film being only a little over an hour in length and having no real action to speak of, it cost over $350,000 to make. All the sets were constructed indoors to be able to have complete control over the lighting. The film was shot completely in black and white, matching the illustrations done by Aubrey Beardsley in the printed edition of Wilde's play. The costumes, designed by Natacha Rambova, used material only from Maison Lewis of Paris, such as the real silver lamé loincloths worn by the guards.　　No major studio would be associated with the film, and it was years after its completion before it was released, by a minor independent distributor. It was a complete failure at the time and marked the end of Nazimova's producing career.　　A longstanding rumor, which seems to have started while the film was still in production, suggests that its cast is comprised entirely of gay and bisexual actors in an homage to Oscar Wilde, as per star and producer Nazimova's demand. It is, of course, impossible to say, but one of the extras in Salomé reported that a number of the cast members—both featured and extras—were indeed gay, but not an unusual percentage of them, and certainly not all of them. What can be said is that Nazimova herself was a lesbian, the two guard characters (who, next to Salomé, have the most screen time) are at least played very stereotypically gay, and several of the female courtiers are men in drag.　　Salomé was screened in 1989 at the New York International Festival of Lesbian and Gay films and in 1990 at the New York Gay Experimental Film Festival.　　In 2000, the United States Library of Congress deemed the film culturally significant and selected it for preservation in the National Film Registry.

简介：女大学生张然因和父亲赌气，来到山村小学支教。学生大饼在几个月前，搭救了一个来户外探险的外国人PETER，养伤期间PETER做起了学校的外教老师。张然发现学生们对艰辛的生活充满了乐观，她在和同学们以及PETER的交流中，逐渐理解了父亲对自己的感情。

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民间流传真一法师精通术法，世代隐居忘忧山，镇压一方气运。 忘忧山下，安阳村出现村民接二连三死亡事件，传言是无常双煞作祟，刘玄李作为真一门最后一任法师，受邀下山调查怪事。刘玄李先遇到无常鬼盗人尸体，又收服为爱人守孤坟的狐仙，更逢死囚接连消失。随着一系列历险，这些猎奇传说都被串联在一起。真相浮出水面--幕后黑手也使用真一法术，且和刘玄李有着莫大渊源。